More chalk painting

I have been experimenting further with chalk paint, and while I am still learning, I believe that I have found a technology that I am going to fully embrace in my future miniature-making. Here are some more examples of upcycling furniture that is generally of good quality, but not perfectly finished. Once again, you can paint it with ordinary paint, but you need to remove polish either chemically or by fierce sanding. Chalk paint covers any surface smoothly.

To start with, I repainted the dressing table I showed a few weeks ago. I was quite happy with it then, but my demands on myself have risen. So I used Versailles and waxed first with clear and then with dark wax.

I think this is an improvement.

I got this sideboard at the same car boot sale, just before I left Cambridge.

It is a nice piece, but unnaturally shiny as most similar miniatures, so I repainted it with the paint called Coco. Maybe the difference is not all that striking in pictures, but believe me, it is in reality.

Meanwhile, I raided my son's basement where he had put all dollhouse stuff that my granddaughters didn't want any more. They are too old to play with dollhouses, but too young to engage with them seriously, and if and when they show interest, we will negotiate.

Most of these items are 1:18 scale (Lundby) that I don't normally work with, but this is an excellent opportunity to experiment with paint. Some of these I gave to one of the girls a few years ago when she was visiting and thought she might want. Among them were two cupboards that came with my Tudor house (don't ask me why). I never did anything with these pieces, precisely because they didn't fit into any of my projects, neither in scale nor in style.

Otherwise, it is a nice piece. I used Duck Egg Blue and again clear and dark wax. I used paper clips for knobs. 

 

I put it in a house - the only one I have at the moment - although it is totally wrong style, but it still gives a sense of what it will look like in an appropriate surrounding. 

The second one is similar. I added the tile back all those many years ago, but I never used it in any project except my antique shop where I would put all kinds of things that didn't fit with anything else.

I used the same paint, and I took a picture halfway, just to show the transformation. 

Final look:

Now you may ask, why do I use the same paint for these items? There are several explanations, the simple being that I only have a few tester jars, and because the paint is expensive I want to be absolutely sure that I like it, before I invest in a broader selection. Secondly, I am just playing, and these pieces are not going into any specific project, at least not at the moment, and if they do at some point, they are probably not going into the same project, so it won't matter. And of course I can always paint it over.

In summary, I can confirm that chalk paint is a revolution in miniature upcycling and possibly in miniature-making as well, which I will test as soon as possible. Watch this space.

Further play with egg shells

I bought this plastic table at a car boot sale. It is part of the IKEA set, which I have, so I knew I was buying it for upcycling.

 

It is 1:6 scale so doesn't fit into any of my current projects, but it doesn't matter because I am just playing. I decided to decorate it with egg-shell mosaic. I have done several egg-shell projects, including a simple coffee table and a Queen Anne table. I thought mosaic would look good on this table, and it just so happened that I chose the same colours as before: white and two shades of green.

For this project, you need shells from three boiled eggs (that is, if you are using three colours as I did), glue, tweezers and a lot of patience. With my first project, I used shiny Humboldt paint that took ages to dry. This time I used ordinary hobby paint, with precisely the same result.

Yes, I glued bits one by one. Yes, it took me four hours. Four hours of quiet, relaxing pleasure. So I don't want to hear how I could have done it quicker. Quicker is not the point of this project.

I used hobby varnish to seal the surface. I am more pleased with this table than the first one because I really made the effort to crush the shells into very, very small pieces.

 

I assure you that this is the only table of its kind in the world. If I were to sell it, the buyer would not pay for plastic, eggs, paint or even the time I put into the project. They would pay for my creativity.

Barbecue, part 3

Read the previous post about this project.

I had several ideas about how to make a fake window, but in the end I cut it from card and put a bit of transparent plastic and two bits of ribbon behind it. I glued the assembly onto the wall, then added the frame, made of coffee stirrers. I made the shutters from strips of wood and coffee stirrers and painted with the same technique as the door.

I made a window box from a bit of a biscuit box - just the right size and shape.

 

I bought these flowers cheap at a car boot sale. Have no idea what kind of flowers they are supposed to be or whether they need leaves, but I won't spend much more time on them, after all the whole wall is just a backdrop for some garden furniture. I may add a rosebush in the left corner.

 I aged the furniture a bit with dark wax. I found the garbage bin at a flea market the other day.

What is left to do now is some details: barbecue tools, wood or coal, meat and other food, plates and glasses, maybe children's toys left behind. This will be fun to make. Come back soon.

Chalk painting

Last weekend I attended a course in chalk painting. It wasn't a miniature-making course, but it was organised by a miniature society, and I thought it would be a good way of starting to learn new things. I had a vague idea of what chalk painting was (totally wrong), but I had a slightly better idea of some other techniques that were announced, such as patination, crackle-painting and decoupage.

The course was based on Annie Sloan's paints and techniques. I knew absolutely nothing about them, and I learned a lot in just one day. Some of the techniques can be simply applied to miniatures, other need adjustments, but it's the paint itself that makes all the difference.

I love upcycling ugly things, particularly cheap plastic furniture, but also made-in-Asia miniatures that are often of good quality, but not nicely finished, far too shiny. I have upcycled utensils, a fireplace, chests, clocks, shoes, a sofa, and two plastic houses, one Playmobile, and one half-scale. In most cases, painting plastic surfaces was a nightmare, while painting polished wood was challenging. Polished wood should ideally be stripped of polish before repainting, but I have never done this because I lack skills, tools, supplies and adequate space.

This is why Annie Sloan's chalk pain is a revolution for me: it can be used on any surface, and you can work miracles with it.

I will need to practice, practice and practice, but I have tested it on a few things, and I am really pleased. I had bought some cheap plastic stuff at a car boot sale, and after making sure it wasn't Kleeware, I used it to experiment with chalk paint.

I started with this dresser because it was straightforward. 

 

  

I used  Versailles (see colour scheme), and it was immediately clear how this paint was superior to any other: smooth surface, no more than one coat, neat and nice. As we were taught at the course, I used a hair dryer (purchased cheap at the same car boot sale). The paint dries as you blow, which is amazing. Then I used the aging technique I learned, applying first transparent and then dark wax. I bought the supplies from the course instructor, and it's fully possible that similar effects can be achieved with other paints, but here it is:

 

The knobs are too large, but I needed them to cover the heart-shaped plastic ones. 

I tested the piece inside the only dollhouse I have at the moment, my Triang. It is wrong style, but a piece always looks more interesting and authentic in an environment. In a way it fits quite nicely.

Next, I decided to test painting one of the pieces I bought at a car boot sale on one of my last days in Cambridge. I have already shown what I have done with a vanity, but that was before my chalk-paint conversion. I will repaint it soon.

I tried the bookcase, that, as I said, is good quality, but really badly finished.

I had been uneasy about it for exactly the reason I mentioned above: ideally, the polish should be removed with chemicals, otherwise it's sanding, sanding and sanding because normal paint would not cover the shiny surface smoothly. But chalk paint does! I used Duck Egg Blue and again, finished with transparent and dark wax.

I admit that the result looks more like a kitchen dresser than a bookcase, but it doesn't really matter; I am just playing, and it is not going anywhere.

My final challenge for this round was this monstrosity:

 

When I saw it, I had a vision of a haunted castle so this is how I worked. I used Country Grey, dabbing it on rather than painting, to create an effect. Here, drying with a hair dryer was useful. The roof, the interior and some details I painted with ordinary acrylic and felt the difference at once. Again, I used wax for distressing.

I added bars on windows, some cobwebs inside and more realistic vegetation. I am not happy with the torches, but haven't yet figured out how to improve them.

I will add some objects inside, maybe a luminescent ghost, a skeleton or whatever; but my main goal was to test the paint, and I don't think I need to persuade you.

I am going to test more techniques so stayed tuned. 

Barbecue, part 2

Read the first post about this project.

Following from where I stopped: I painted the fence green, let it dry, painted over white and wiped it off with a cloth.

I remember a comment from a facebook friend about aging miniature objects. Why are people so obsessed with aging, they said. When things were first used, they were new. That's absolutely right, but a perfectly painted mini-fence just doesn't look natural. Or maybe you need a different kind of paint. Chalk paint? I need to learn how to use it.

Anyway, here is the fence, and it's time to make a backdrop. Since the focus is on the outdoor scene, I won't bother to make a whole house, just a front, but it doesn't mean omitting details.

I started with a piece of cardboard, matching the size with the yard.
  

  

The door and window will be fake, so when I painted the wall, I wasn't very particular.

 
However, I didn't like the smooth surface. I didn't have sand paint, but if you use coffee grounds the effect will be similar.

I had some left-over slates from an old project. I have since then learned how to make roof slates, but at some point I need to use these left-overs, and there isn't enough for a larger house, so I decided to use them.

 

I painted them rusty red.

 

As you see, I have also started making a door. I cut it from a cheese box and painted in the same technique as the fence. For the little window, I used a lid from a spice jar, cutting half of it and inserting "frosted glass" (plastic file holder) and a dark background behind it. The door knob is a paper clip.

This is as far as I got today, and I will save some fun for tomorrow. I have an idea about how to make the window. Come back soon!

Yes, there is a lizard under the swing.

Barbecue

During a raid on a craft shop I came across this set of garden furniture.

It isn't particularly elegant, but it wasn't expensive, and I thought I could make something interesting with it. I have never made an outdoor scene, and the grill just begged to build an environment around it.

The first step was to decide on the size of the scene, and because it is an outdoor scene, I didn't use a box, just a piece of cardboard. I may add a backdrop, but I am not quite sure yet. Flagstone deck felt right for a barbecue, and it is fun to make from egg cartons.

 

You need a lot though, as I remember from my Roman turret project, and in a household of one, it may take some time. So I made as much as my current egg supply allowed and moved on to making a fence. I could have made a stone wall, but it would obscure the scene, and I wanted something that would emphasise the scene without disturbing it. A conventional wooden fence felt appropriate.

At the moment, most of my tools and supplies are in storage, waiting until I get a place of my own; moreover, what I have brought with me turned out to be quite random: for instance, I don't have my cutting mat and have to do with a piece of cardboard. Which works perfectly well.

I like putting furniture even in unfinished environment because it helps with planning the whole project.

I cut the cushions from a kitchen sponge cloth. I also decided that the owner of the patio is a bit lazy and hasn't weeded between the stones, and everyone who has ever had a stone patio or yard knows how stubborn weeds are.

Yes, I know that you can buy miniature grass in model railway shops, but what's the challenge? Much more interesting to make your own by unraveling a piece of fabric. Once again, my supplies are random, but I will save the dark threads as they can come handy in another project.

This is a later stage (when I had consumed more eggs), but it shows what I did. Bits of embroidery thread, bits of florist tape, and a few fabric leaves cut to measure.

I found a very interesting gate structure on Pinterest, which didn't work in small scale, but at least I made something less usual. And then, on my walk in one of the wonderful corners of my city, I saw just what I needed:

I have never seen a gate lock like this. My walking companion was puzzled about me being so excited and taking pictures of something so ordinary. But it isn't all that ordinary, is it? It's very clever, and it was fun to try and reproduce it in miniature.

 

The battery is for scale.

I was so eager to build the fence that I abandoned my principle to paint before assembly. It will of course be much more difficult to paint, but on the other hand I needed to see what it would look like before I can decide what paint to choose. I am considering the rusty red as in the picture of the full-scale gate, but I am anxious that it would be too conspicuous. If you want to know what I have decided you will have to come back.

In this picture you also see a bit of my workspace.

To be continued.

Re-calibrating

I have moved again. (If you wonder why I keep moving and downsizing, it's a sad story, and you don't want to know the details, but it wasn't by choice). I am now renting a furnished flat, which means that I have to adapt to the available furniture and arrange my workspace to the best of my abilities. It also means that still more of my stuff had to go to storage, and I only brought one box of supplies. I packed in haste, and it's funny to discover how randomly I chose what to bring and what to store. I have the most essential tools, but my cutting mat is elsewhere. I have paint, glue, fabric, paper - enough to do some projects. And I have a hobby shop close by.

When you live in somebody else's space it takes time before you can, first mentally, then physically, re-arrange it to your liking and your needs. Obviously, a folding table makes a perfect workbench, and if I ever have guests who require a coffee table, I can quickly put everything away. But the best thing about this place is that I don't have to clear it away every night.

My landlady has kindly given me one and a half book shelf, in a corner closest to the floor, but as I haven't brought any of my books - you see where my priorities are! - most of my Really Useful Boxes can just about be squeezed in. And I start by going through them to see what I actually have brought.

Maybe this is the time when I will choose projects based on supplies. All those saved posts from Facebook, when I thought: Yes, I can make it some time. Now is the time.

I have brought a small selection of kits that will keep me busy for a while.

And I have also brought a few pieces that I bought at a car boot sale just before I moved.

The broken dressing table begged for my attention. Apologies for poor picture quality - I haven't yet adjusted to the light in this place.

 

It is one of those pieces that are sort of ok, but crude, and the finish is dull. To do it properly you need to remove the varnish, for which I have neither space nor equipment, so I just sanded it and then painted. I haven't taken step-by-step pictures because it was quite straightforward. I painted with brown paint first and then antique white, with golden details. I distressed it a bit.

The only problem was painting around the drawer pulls. They seem to be glued on rather than attached with nails so I didn't risk removing them.

I also lined the drawers with Japanese paper.

 

This piece wouldn't win a prize at a miniature fair, but it was fun to upcycle a boring piece into something more exciting, and it was a good way of getting back into the making mode.

In a kitchen drawer I found some string - an opportunity too good to miss.

 

I am thoroughly thrilled with my first day back miniature making. I wasn't aware that I had missed it so much these past weeks. I am looking forward to many great projects even before I eventually get a place of my own with a HUGE hobby room.